On each side of the courtyard the palace was divided into apartments, probably for sleeping. On the right the piers have all fallen down. On the left they are still standing, and ornamented with stucco figures. In the centre apartment in one of the holes before referred to of the arch, are the remains of a wooden pole about a foot long, which once stretched across, but the rest had decayed. It was the only piece of wood we found at Palenque, and we did not discover this until some time after we had made up our minds in regard to the wooden lintels over the doors. It was much worm-eaten, and probably, in a few years, not a vestige of it will be left.

At the farther side of the courtyard was another flight of stone steps, corresponding with those in front, on each side of which are carved figures, and on the flat surface between are single cartouches of hieroglyphics. The plate opposite represents this side.

The whole courtyard was overgrown with trees, and it was encumbered with ruins several feet high, so that the exact architectural arrangments could not be seen. Having our beds in the corridor adjoining, when we woke in the morning, and when we had finished the work of the day, we had it under our eyes. Every time we descended the steps the grim and mysterious figures stared us in the face, and it became to us one of the most interesting parts of the ruins. We were exceedingly anxious to make excavations, clear out the mass of rubbish, and lay the whole platform bare; but this was impossible. It is probably paved with stone or cement; and from the profusion of ornamen[t] in other parts, there is reason to believe that many curious and interesting specimens may be brought to light. This agreeable work is left for the future taveller, who may go there better provided with men and materials, and with more knowledge of what he has to encounter; and, in my opinion, if he finds nothing new, the mere spectacle of the courtyard entire will repay him for the labour and expense of clearing it.

The part of the building which forms the rear of the courtyard, comunicating with it by the steps, consists of two corridors, the same as the front, paved, plastered, and ornamented with stucco. The floor of the corridor fronting the courtyard sounded hollow, and a breach had been made in it which seemed to lead into a subterraneous chamber; but in descending, by means of a tree with notches cut in it, and with a candle, we found merely a hollow in the earth, not bounded by any wall.

In the farther corridor the wall was in some places broken, and had several separate coats of plaster and paint. In one place we counted six layers, each of which had the remains of colours. In another place there seemed a line of written characters in black ink. We made an effort to get at them; but, in endeavouring to remove a thin upper stratum, they came off with it, and we desisted.

This corridor opened upon a second courtyard, eighty feet long and but thirty across. The floor of the corridor was ten feet above that of the courtyard, and on the wall underneath were square stones with hieroglyphics sculptured upon them. On the piers were stuccoed figures, but in a ruined condition.

On the other side of the courtyard were two ranges of corridors, which terminated the building in this direction. The first of them is divided into three apartments, with doors opening from the extremities upon the western corridor. All the piers are standing except that on the northwest corner. All are covered with stucco ornaments, and one with hieroglyphics. The rest contain figures in bas-relief, three of which, being those least ruined, are represented in the opposite plates.

The first was enclosed by a border, very wide at the bottom, part of which is destroyed. The subject consists of two figures with facial angles similar to that in the plate before given, plumes of feathers and other decorations for headdresses, necklaces, girdles, and sandals; each has hold of the same curious baton, part of which is destroyed, and opposite their hands are hieroglyphics, which probably give the history of these incomprehensible personages. The others are more ruined, and no attempt has been made to restore them. One is kneeling as if to [p. 913]